Ohjaus:
Paul NewmanKäsikirjoitus:
John GayKuvaus:
Richard MooreSävellys:
Henry ManciniNäyttelijät:
Paul Newman, Henry Fonda, Lee Remick, Michael Sarrazin, Richard Jaeckel, Linda Lawson, Cliff Potts, Hal Needham, Terry Leonard, Charles Tyner (lisää)Juonikuvaukset(1)
Oregonilainen Stamperin tukkilaisperhe ansaitsee leipänsä puita kaataen ja paikalliselle myllylle niitä jalostaen. Riippumattoman perheen bisnes joutuu vaikeuksiin, kun järjestäytyneet tukkityöläiset ryhtyvät lakkoon vaatiessaan parempia työolosuhteita. Ken Keseyn romaaniin perustuvan elokuvan on ohjannut näyttelijälegenda Paul Newman. Uuden ajan haasteet rytisevät yhteen jääräpäisen patriarkan (Henry Fonda) vanhoillisen johtamistavan kanssa elokuvassa, jota kannattelevat loistavat näyttelijänsuoritukset ja visuaalisesti huikaisevat kohtaukset Pohjois-Amerikan jylhissä metsissä. (Future film)
(lisää)Videot (1)
Arvostelut (4)
A sensitive take on a literary classic that unfolds slowly and you have to find your way to the characters, but as the narrative draws to a close, it grows in emotional intensity. You won't forget the drowning scene for the rest of your life, and the final fuck off is such a sweet, ironic icing that Paul Newman only confirms his status as someone few could match.
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Under this uncertain title is a film that allows us to trace how the approach to film material changes in different environments and over time. Today, the same film would probably contain an environmental appeal. Shots of deforested hills, with the remains of former proud forest giants sadly reaching toward the sky, chainsaws and heavy machinery, which complete the work of destruction in a place where virgin nature and impenetrable jungle were not long ago, all contribute to the environmental perspective and condemnation of industrial civilization. In the film, giant logs fall to the ground and an unpleasant feeling arises from the clearings, but Paul Newman evidently pays tribute to the hard and dangerous masculine work of lumberjacks, which exacts a cruel toll. The beginning of the 70s simply did not take some things into account. European cinema would portray a group of lumberjacks in an unfavorable light as selfish strikebreakers who disrupt the principle of solidarity, while the American film comes across as a defense of traditional American individualism, perseverance, determination, and the ability to cope with adversity. In addition to taking place in a significantly atypical environment for American cinema, the film also offers top-notch acting, masculine characters, and a star-studded cast. Overall impression: 80%.
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A Flight Over the Woodworker’s Nest. The stubborn Stamper family with the motto "Never give an inch" and firm principles: work, sleep, eat, make love, and keep on going (for the third and fourth items, they're used to having it served right to their noses). But you know, you don’t have to cut down the forest for the splinters of ancient grievances to fly. Grippingly shot hard work, faithfully captured Oregon by cameraman Richard Moore, one brilliantly directed scene with the inevitable clash of light-hearted optimism and tragedy, and a somewhat bizarre ending where the old man shows the strikers one last time what he thinks of them.
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A hilarious drama about stubborn lumberjacks who didn't budge an inch, who lost everything because of it, but their honor remained. Paul Newman is excellent both as an actor and director, Henry Fonda needs no elaboration, the pace of the film is slow, but the characters grow on the viewer thanks to it, and the ending is all the more heartbreaking.
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