Ohjaus:
David CronenbergKuvaus:
Mark IrwinSävellys:
Michael KamenNäyttelijät:
Christopher Walken, Brooke Adams, Tom Skerritt, Herbert Lom, Colleen Dewhurst, Martin Sheen, Nicholas Campbell, Sean Sullivan, Jackie Burroughs (lisää)Juonikuvaukset(1)
One fateful night, Johnny Smith (Walken) smashes head-on into an enormous truck. For five long years, Johnny is plunged into a deep coma. When he awakens, he discovers that his youth, his career and his fiance, Sarah (Adams), have all been lost. But Johnny has gained something -- extraordinary psychic powers allowing him to see visions of the past, present and future. In episode after episode, Johnny is propelled into horror-filled, supernatural experiences. Desperately, Johnny seeks seclusion, but a moral decision must be made -- should he use his powers to change the future of mankind? (jakelijan virallinen teksti)
(lisää)Videot (2)
Arvostelut (6)
The question arises: What would a person do if they had the information that Johnny has? How would they act? Or an even crazier question – are terrorists in every case lunatics, or can one of them be a visionary? We won't learn the answer, but in my opinion, these are questions worth pondering. We don't know what impact our actions have on the future, but we are still shaping it. David Cronenberg managed to create a beautiful story about a person who decides to act for the greater good.
()
Excellent premise, a great Christopher Walken, decent atmosphere, but unfortunately a slower pace. Virtually nothing happens in that surprised, excited or delighted me. The film slowly flows to the end and it's a shame. David Cronenberg went low-key with this film, as his perverse and strongest side is not on display here. 65%
()
What the screenwriter spoiled by approaching the whole screenplay just by singling out key passages in the book (and leaving out the whole palaver with replacing forgotten words), while this is made up for with the snowy atmosphere, Walken’s intimate performance and Kamen’s music. I also praise for Cronenberg, but maybe he could have given us more of a “he doesn’t know and magazine cover doesn’t appear until during the closing credits" ending. But this certainly is one of the most successful King adaptations. If only it hadn’t been so rushed.
()
The Dead Zone is a film whose review is influenced by knowledge of the book and Cronenberg's previous works. The potential was much greater in both cases, so I feel that The Dead Zone is a film that lacks balls. Early Cronenberg managed to go against the current and shoot provocative, crazy, and depressing films, which not everyone could handle, but which pushed the genre forward. This is simply too conventional, and even Christopher Walken can be much more creative and more useful for the genre of mystery film than he showed here. The foundation remained, but the film did not show all the depths, pains, uncertainties, desperation, torturous feelings of responsibility, and fear of the future. Maybe the producers clipped Cronenberg's wings, or maybe he had too respectful of a relationship with King's novel, but this could have been shot more creatively. Overall impression: 60%.
()
Very good thriller that relies mainly on superb performances and brilliant direction. Cronenberg’s austere style fits the story, and so does the surprisingly calm and bloodless concept, which is not something usual for the director. The only thing I didn’t like is that the first twist is solved around the middle and then we start again, resulting in a film that, though effective, is not entirely solid.
()
Kuvagalleria (95)
Kuva © Dino De Laurentiis Company
![Viimeinen yhteys - Kuvat elokuvasta](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/162/159/162159874_0efb48.jpg)
Mainos