Suoratoistopalvelut (1)
Kaudet(14) / Jaksot(188)
-
Season 1 (2005) - 14 jaksoa
-
Season 2 (2006) - 14 jaksoa
-
Season 3 (2007) - 14 jaksoa
-
Season 4 (2008) - 18 jaksoa
-
Season 5 (2010) - 14 jaksoa
-
Season 6 (2011) - 14 jaksoa
-
Season 7 (2012) - 16 jaksoa
-
Season 8 (2014) - 13 jaksoa
-
Season 9 (2015) - 14 jaksoa
-
Season 10 (2017) - 13 jaksoa
-
Season 11 (2018) - 11 jaksoa
-
Season 12 (2020) - 11 jaksoa
-
Flux (2021) - 9 jaksoa
-
Season 14 (2023) - 13 jaksoa
Juonikuvaukset(1)
Rose Tyler on myyjätyttö Lontoosta, joka elää verrattaen tavanomaista elämää. Kaikki muuttuu, kun sovitusnukke hyökkää äkkiarvaamatta hänen kimppuunsa tavaratalossa. Doctor Who pelastaa hänet oudon hyökkääjän kynsistä. Pian Rose huomaa matkaavansa avaruudessa eri planeetoilla ja galakseissa. Aikamatkailun lisäksi hän joutuu taistelemaan maapallon herruudesta avaruusolioita vastaan mitä eriskummallisin keinoin. (SF Film Fin.)
(lisää)Arvostelut (3)
I strongly do not recommend this to sushi lovers! They may well end up spending all the family savings on the journey to get just this one dinner in the restaurant with no toilets in the Tokyo subway. If sushi is not so high on your list of priorities you can watch it with no fear, because it’s mainly about the old-world Japanese demeanor which is aimed at constant self-improvement through their absolute attention to detail and infinite humility. Despite having been the very best in their field for decades. But have you heard what our cooking celebrities have to say to this exceptional documentary about the “philosophy of sushi" as practiced by the Ono family (with Jiro as a leader who made it all the way into a sci-fi comic book by the culinary adventurer Bourdain) in one very special restaurant that got three stars in the Michelin guide? Zdeněk Pohlreich: Well I’ve never seen anything like that before! Look at him how he’s touching it with his dirty mist and has the cheek to stare straight into your face, less than an inch away from you, watching you eat! Jiří Babica: Hmm, interesting, I must say. But unnecessarily snobbish ingredients. I would add ketchup and a frankfurter sausage to the rice. And in fact ketchup instead of the rice and the frankfurter because ketchup on ketchup blends nicely together and it’s a yummy treat which you can have every single god given day. Jaroslav Sapík: Excellent! Delicious! But where is the main course with six dumplings? And where is the beer to wash it down? VydroBoušek: He is too grumpy, can’t speak a word of Czech and how can you call this cooking? - It’s served raw! But you must admit that the funny activity – massaging an octopus for an hour - was the high point of this week. So 5 points for him (which isn’t enough to win), so the winner is Jarka from Velká Bíteš with her traditional meatloaf. Roman Vaněk: That seems odd. Ten years of hard labor day in, day out, just to learn the basics? Yo, losers… Come to Prakul, and we’ll teach him everything he needs to know about sushi in just five hours, for just four thousand crowns!
()
It was a universe I neither needed or wanted to get to know. With gimmicks like in Red Dwarf, a history that is very hard to penetrate, and a reputation as a "family friendly" piece that can hide behind anything. It's funny, therefore, that I once ended up watching the episode Rose, thinking at the time that I was mostly in the mood for just "something British" or "something more adventurous." Besides, this isn't just any universe. It's a huge chunk of fandom that you can jump into in many places, and all of them have their pros and cons. Even in hindsight, I find the aforementioned episode to be the perfect start, as it's soon followed by the series' signature flashbacks to all manner of past enemies, as well as their reintroduction. A reappearance, because the Doctor and his Tardis certainly didn't first land in 2005, but deep in the sixties. I've tried to go there too, but it's hard to do now. After all, it's not just a few or even a couple of dozen episodes with almost zero special effects and bizarre masks. The version of Doctor Who that aired from 1963 onwards, had nearly seven hundred episodes and not all of them (seasons of them) were worth it by a long shot. Either because of the black and white, the more-than-amusing artwork, or quietly just because the times have irrevocably changed and some episodes didn't even survive. But whether the protagonist had the face of an elderly sage, a curly-haired misfit, or a dreamy blonde, I appreciated the otherness and development, and I got a taste of something from each regeneration (after all, the most devoted fan of earthlings can't just die cheaply), whether in the form of a few episodes or from reading unrealized scripts. But that pivotal period for me starts right around the time that big fan Russell T. Davies tried to revive his favorite show and started a fever for all fans of sci-fi, space, space-time, romance, suspense, and good shows. That period when words like Gallifrey, the Tardis, Daleks, and sonic screwdriver gave me chills and resulted in a wave of me reading any news of new episodes, comics, short stories, novels, and carefully keeping just one such screwdriver at home is still magical in my mind, and with slight variations and interruptions that has lasted to this day. And although the seasons build on each other, there are so many of them now that I prefer to write about them in season profiles, sometimes even for individual episodes, because lately there are dozens of "specials", mostly Christmas ones, but also New Year's, birthday, autumn, and various others, and my exclamations simply can't fit into a single review. I realize that those who know and like the series may now smile ruefully and go and watch some of their favorite humorous or, conversely, tearful scenes. And yes, I also realize that anyone who doesn't know the show doesn't understand what I just wrote. But it's someone like that who I envy the most, because now they can watch not only Rose, but later Doomsday, Blink, or Heaven Sent, cower in fear before The Silence, watch Silence in the Library, look forward to when River Song appears, adore Rose, Amy, or Clara, understand the cult around David Tennant, and simply not know what's next and just look forward to it all. There are few shows that have managed to make me feel like a little kid this often.
()
(vähemmän)
(lisää)
The basic idea behind the final form of Doctor Who is: is it possible to compete in the field of sci-fi and fantasy series with the money-driven and visually demanding television series from American studios like Battlestar Galactica, which are in no way inferior to summer blockbuster films in terms of entertainment value? Yes, but only by making a virtue out of necessity, and if my budget is not enough to create attractive alternative worlds, I rely on exaggeration, humor, naivety, and in this case, significantly old-fashioned stylization. The spaceship takes the form of a telephone booth, the Doctor manages with very little in his battles with aliens, and the monsters do not bother to hide their trickery more than necessary. Accept it, dear viewer, or move on. I knew Doctor Who from several randomly watched episodes (mostly specials, which receive more attention during production because they serve as a showcase for the project). Based on those few encounters, I was able to join the numerous fan base of the series. The problem arose when I started watching Doctor Who diligently during a TV re-run, episode by episode, day by day, starting from the first episode. The first series was still searching for its final form and the atmosphere of the series, but even that is not an excuse for me losing interest in Doctor Who soon after. After the seventh episode of the second series, I definitively gave up. Doctor Who simply does not have the power to compel me to return to the series at regular intervals. From similarly themed projects, I prefer the Canadian series LEXX, which I find more entertaining due to its deliberate and degraded nature. Overall impression: 45%.
()