Käsikirjoitus:
Dan FogelmanKuvaus:
Andrew DunnNäyttelijät:
Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone, Lio Tipton, Jonah Bobo, Joey King, Marisa Tomei, Beth Littleford, John Carroll Lynch (lisää)Suoratoistopalvelut (6)
Juonikuvaukset(1)
At fortysomething, straight-laced Cal Weaver (Steve Carell) is living the dream—good job, nice house, great kids and marriage to his high school sweetheart. But when Cal learns that his wife, Emily (Julianne Moore), has cheated on him and wants a divorce, his “perfect” life quickly unravels. Worse, in today’s single world, Cal, who hasn’t dated in decades, stands out as the epitome of un-smooth. Now spending his free evenings sulking alone at a local bar, the hapless Cal is taken on as wingman and protégé to handsome, thirtysomething player Jacob Palmer (Ryan Gosling). In an effort to help Cal get over his wife and start living his life, Jacob opens Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style that can’t be found at Supercuts or The Gap. Cal and Emily aren’t the only ones looking for love in what might be all the wrong places: Cal’s 13-year-old son, Robbie (Jonah Bobo), is crazy about his 17-year-old babysitter, Jessica (Analeigh Tipton), who harbors a crush on Cal. And despite Cal’s makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading him back to where he began. (Warner Bros. US)
(lisää)Arvostelut (14)
The cataclysmic ending was very good. Lots of great scenes, a few clichés and likeable actors (Gosling gave a hat trick this year), so an enjoyable film.
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Here, the entire plot of Hitch is just a prelude to a multilayered relationship collage combining romantic, comedic and dramatic elements. Though it follows a Hollywood template, it works skillfully with several characters whose love troubles are not completely clichéd and predictable. Thanks to this, and thanks to the casting of Ryan Gosling and Julianne Moore in the roles where you’d expect Adam Sandler and Salma Hayek, the film is not just another bland pot of mush.
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Love is a struggle. Even in a film essentially devoid of conflict. Romantic comedies about people losing and regaining certainties in life will always have a place in any era. We will always want to run away and naïvely believe. The second film by the directors of the imaginative I Love You Phillip Morris neither advances nor enriches the genre, but it does exactly what it outwardly promises to do – it delights the viewer. It is more delightful than other films in the same category. Thanks to the well-coordinated, likable actors, smooth transitions between farce and tragedy, ironic references to genre clichés (rain, the Dirty Dancing reference) and the unexpected revelation that retroactively justifies the seemingly weak connection between the various story lines (and doesn’t seem contrived, because it consists in cleverly working with, or rather concealing, information). Due to the interconnectedness of the individual motifs, the comedy isn’t tasteless (shameless photos elegantly resolve one of the storylines), nor is it silly in its utterly unrealistic ending. Crazy, Stupid, Love is simply proof that a fresh approach can be taken to a seemingly played-out genre without the necessity of going to extremes. 75%
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For three quarters of its run I was really thrilled with Crazy, Stupid, Love, but that clichéd happy ending made me lose that feeling very quickly. Carell, Gosling, Moore, et al. are fantastic, I had no problem liking everyone. It’s certainly a very nice film, but if you want to see a truly great one, turn it off after the “meeting in the garden” scene.
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A pleasant film that changes absolutely beautifully over time. I was quite impressed by how many interesting and big names they managed to rope into this movie. Maybe they wanted to shoot it for fun, because I doubt that they could get that much money out of such relationship-centric romantic movie. Anyway, the most amazing thing in the movie was Ryan Gosling. He was changing right before my eyes. First he was a flute player who scored with every girl he looked at, and then he was a boy who fell head over heels in love. And I believed him all that one hundred percent. Without him, the film would’ve definitely been only a half of what it is. But not only without him; Steve Carell is great as well. I just don’t understand why he’s being referred to as a comedian. He hasn’t grabbed my attention as a comedian yet, but he did convince me that he is a good actor. The film itself is about relationships with those we love and also about the fact that sometimes these relationships go into a slightly different direction than we would actually like. It was definitely a nice movie, but watching it once was enough for me.
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An enjoyable likeable romantic comedy that I find a nice refresher after blockbusters, horror and Asian films. Steve Carell and Ryan Gosling are brilliant, the bar scenes are great, and the interesting twists and tricks are a delight. The highlight is the hilarious scene at the garden reunion, it will make your sides hurt. 80%.
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Once again, a film full of quality humor and great lines. I don't think anyone in the cast is up to Ryan Gosling’s standard, but Steve Carell shone exceptionally. There are plenty of scenes that made me laugh out loud and a few that made me melt a little. The music was also well chosen. I appreciate films like this in this day and age. The only thing that kept it from perfection for me was a bit less of an American ending. 4.5 stars.
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There's loads of these brisk, funny, situationally attuned, brilliantly shot comedies with polished casts in precisely fitting jackets, and no less precisely fitting roles. And if there is also an interesting dramatic subtext and some wisdom from life, much better. It should be noted, however, that Crazy Stupid Love entertains just a little bit more than its contemporaries. It's hard to say what it is, maybe the directorial dynamics, maybe the immediacy of the main characters, in any case, it’s great.
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I wonder why Steve Carell took on another almost identical role after the great Dan in Real Life? Why didn't the film end with a great confrontation in the garden and have to have that awful ending? Why did Ryan Gosling get on my nerves so much? Okay, I'll answer the last question myself right now, since I'm heterosexual, but the first two remain a mystery. Still, Crazy, Stupid, Love isn't a bad spectacle. It's just worse than the aforementioned film four years before.
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Such a stellar constellation, and such a shallow result. What does it matter that actors like Carell, Moore, Emma Stone or the new hearthrob Ryan Gosling shine in front of the camera, when they are part of a script so naive and shallow that it was impossible to ignore. The three romantic storylines fit together beautifully and the first face-to-face meeting of all the characters raises the film to a slightly higher level, but with the exception of Gosling's affair, the stories are not very interesting, in some respects they’re downright far-fetched (I would have shot that little boy), and also blindly predictable until the final reconciliatory happy ending. I don't want to criticize too much, because this comedy certainly doesn't deserve it, but as much as I was looking forward to and expecting an American version of Love Actually, in the end I had to put up with just another routine movie that was neither very funny nor original. 70%
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A romantic comedy that is incredibly enjoyable, well acted, and not based on a script that is completely stupid, soulless, or tasteless. The joys and sorrows of love are a rewarding and inexhaustible subject that translates well to the screen. Moreover, Crazy, Stupid Love manages not to get bogged down in clichés and awkwardness, as is often the case with films of this genre. In addition, a film starring Julianne Moore and Emma Stone together would be worth watching just for their presence alone. In short, a nice and sweet film that makes you laugh and moves you, in both cases pretty honestly from the heart.
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Not your standard romantic comedy. The humor was more subtle, the story was more fleshed out (I even thought it would hold up until the finale for a while), the dad was played by a very convincing Steve Carell, and even the corny plot with a life/relationship coach sort of worked for me. At first, the only thing that slightly spoiled my overall good impression was the lovestruck teen. I was going to give it a four, but it turned out I was too much of an optimist. Although the filmmakers had been resisting it, the film eventually slipped into the standard clichés and melodramatic speeches in the end. I did manage to see the bigger picture so I’m giving it three stars as I surprisingly had a good time most of the time. / Lesson learned: You aren’t exactly a great athlete? There's always miniature golf. Or chess. 3*-
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"Crazy, Lost Love" is a comedy that definitely doesn't seem like the biggest hit after the first scene. Cal, played by the great Steve Carell, learns out of the blue during dinner that his wife wants to divorce him. Because of that, he later jumps out of the car. That's when it gets funny again. But the film gets even more complicated. Cal's 13-year-old son is in love with the girl who babysits him (17 years old), and she is in love with Cal. Love truly takes on different forms. Not to mention that Cal becomes a ladies man who gets nine women into bed over a few nights. He is helped by the professional seducer Jacob, played by Ryan Gosling, a person who puts everything into every role. But even the seducer must sometimes fall in love and want to settle down. The film deals with a fairly tangled mess of relationships, but eventually unravels itself. I won't reveal anything, but the film works excellently on all levels - it is great as a comedy, as a drama, and as a romantic film. Some jokes are strong, and some scenes have the potential to become cult favorites. The film is dominated by the brilliantly chosen actors, whether in the roles of the two mentioned men, or in the role of Julianne Moore. The young actors playing the thirteen-year-old son and the babysitting girl don't let themselves be outshined. Thanks to them, the film works well. You will laugh, you will get emotional. This definitely couldn't make me "LOL". More: http://www.filmovy-denik.cz/2012/08/parmeni-krysy-z-temnot-mi-4-blazniva.html
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I really wasn't expecting so much tasteful humor along with a rather rich plot (for a romantic comedy to be sure). The story of each couple is irreplaceable, the intertwining is gradual and thoughtful, and the acting is very enjoyable. This film warms the heart, caresses the soul, entertains, moves, and leaves you with purely positive feelings. And Robbie is the most sincere and endearing character (I'm not a homosexual or a pedophile), his persistence towards Jessica is admirable, funny, and evokes no small amount of sympathy for his character. The more romantic comedies like this that exist, the more the majority audience base of the genre will be restored (cultivated?) and the world will be a little better for it.:) The complete absence of childish and cheesy humor is replaced by a wonderful narrative about love relationships across all generations – spiced up with brilliant casting and an overall natural impression. One of the genre film highlights of recent years. I was ultimately put off from giving it full marks by Cal's overly sweet final speech.
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