Ohjaus:
Josh RadnorKäsikirjoitus:
Josh RadnorKuvaus:
Seamus TierneySävellys:
JaymayNäyttelijät:
Josh Radnor, Kate Mara, Malin Åkerman, Michael Algieri, Dana Barron, Richard Jenkins, Zoe Kazan, Pablo Schreiber, Peter Scanavino, Tony Hale (lisää)Suoratoistopalvelut (1)
Juonikuvaukset(1)
Ystävykset etsivät rakkautta kaupungissa, joka ei koskaan nuku - ei tilapäisiä suhteita, vaan sitä suurta tunnetta. Miltä tuntuisi kuulua johonkin tai elää jonkun kanssa, joka täydentää sinua? Se tunne on elämää suurempi. Ovatko he todella valmiita antautumaan todelliselle rakkaudelle, jos se sattuu kohdalle? Etsivätkö he oikeista paikoista? Rakkautta New Yorkissa on lämmin, romanttinen ja charmikas feelgood-komedia ystävistä, jotka ovat löytämäisillään itsensä täysin uudella tavalla. (Atlantic Film Fin.)
(lisää)Videot (2)
Arvostelut (2)
Despite this being a relationship study of life in New York, I wasn't initially striving for a comparison to the works of Woody Allen, but when one dialogue "anonymously" reminded me of him, I realized that Josh Radnor wants just that. To place his narrative at least partially alongside the great one. And, in the end, why not? I believed the relationships, and their reveals as well, and even the actors were tamed exactly so that no one stands out and this minor mosaic is adequate. There's nothing really more to discuss, the ideal indie contemplation is here.
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As an appetizer for a Woody Allen film, this relationship comedy does not disappoint. Conscious of its actors’ abilities and the options provided by the budget, it doesn’t delve into grand existential issues, but it still could have achieved a better result in its lightweight category. In the introduction, we are unwisely left for a longer time in the company of the likable Sam, who, however, will not be the only important character. I simply didn’t have any desire to run from her to the two couples at non-rhythmic intervals. This slows the film down and makes it difficult to get to know any of the characters better. Sam’s story would have easily sufficed as a stand-alone narrative. Perhaps Radnor should have just kept the focus on her. 65%
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