Ohjaus:
Ryan CooglerKuvaus:
Maryse AlbertiSävellys:
Ludwig GöranssonNäyttelijät:
Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Mauricio Ovalle, Ritchie Coster, Wood Harris, Mark Falvo, Phylicia Rashad, Andre Ward (lisää)Suoratoistopalvelut (5)
Juonikuvaukset(1)
Adonis Johnson (Michael B. Jordan) ei saanut koskaan tuntea kuuluisaa isäänsä, raskaansarjan mestari Apollo Creedia, joka kuoli ennen hänen syntymäänsä. Nyrkkeily on kuitenkin hänellä veressä, joten Adonis suuntaa Philadelphiaan, missä Apollo Creed aikanaan otteli legendaarisen ottelun kovaa nousukasta Rocky Balboaa (Sylvester Stallone) vastaan. Philadelphiassa Adonis etsii Rockyn käsiinsä ja pyytää tätä valmentajakseen. Rocky on jättänyt nyrkkeilyn jo taakseen, mutta taipuu nähdessään Adoniksessa samaa voimaa ja päättäväisyyttä kuin Apollossa, raivokkaassa vastustajassaan, josta tuli hänen läheisin ystävänsä. Rocky treenaa nuorta nyrkkeilijää, vaikka kamppailee itse kuolettavampaa vastustajaa vastaan kuin ikinä kohtasi kehässä. Vanha mestari Rocky kulmauksessaan, Apollo saa pian itse mahdollisuuden mestaruuteen - mutta pystyykö hän kehittymään oikeaksi taistelijaksi ennen ottelua? (SF Film Fin.)
(lisää)Videot (9)
Arvostelut (9)
Ryan Coogler is a gifted child. One hardly wants to be angry at his crackling naivety when he sees how much skill (especially) the cameraman has, but the fact is that Creed is more of an unintentional infantile comedy than a boxing drama. He raises the greatest hope for emancipation when he pulls out an incredibly dense one take fight in the middle, but instead of finding his own legacy, he ends up a labor-intensive retro in his father’s place. Sly is the only anchor, otherwise it all breaks down for Coogler into laboriously constructed storytelling and a doll-like main character who has to shout to "make a drama". Maybe next time, yo.
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The essence of the best of the old films: the precisely dosed drops of nostalgia and at the same time a fully adaptable product of our time, that is, to the parameters we want and expect from a film today, that's exactly what Creed is. This is what I expected from Star Wars and didn't get. I expected nothing from Creed and got basically everything. Peaking emotions and sympathy for the main characters, especially Stallone, who has changed. He has become a sensitive actor, full of charisma and life experience, who can impress not only with a machine gun in his hand, but surprisingly agile and brilliant even in intimate scenes, where he uses in the most distinctive way those wise words that we all know, but not everyone wants to hear. For hardcore fans of the original series and for movie nostalgics, it will be great, because it has that cold winter street feel (the iconic last scene) of the original episodes and fortunately it's not as modern as the last Rocky. It's a must-see experience, just like the first one.
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I love these films and they rarely disappoint me. The story is a classic fairy tale but unfortunately without emotions, so Southpaw won in this respect. Michael B. Jordan is likable, Sylvester Stallone is friendly and the one-shot fights almost without editing are breathtaking, too bad there were only two of them, but they were decently long and adrenaline-pumping. I wasn't bored. 75%.
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With the arrival of Creed, Rocky Balboa bid us farewell in quite dignified way. The movie did not come with anything new, so the only thing left is the endless moralizing of Sylvester Stallone, which I more or less enjoy, or the acting of Michael B. Jordan, which is something you have to get used to. He, as the child of the street, did not at first arouse too many emotions in me. Only Stallone’s upbringing made him somehow pleasant. However, simply by describing it, the pathos makes me sick. The story could not get more typical. Big fans will be probably satisfied with Creed and will nostalgically shed a tear. Rocky Balboa is enough for me, as it was able to make an original movie out of nostalgia, and I did not have to call it what I call this movie. Unlike the previous one, this movie is a completely routine job.
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