Richard Jewell
Ohjaus:
Clint EastwoodKäsikirjoitus:
Billy RayKuvaus:
Yves BélangerSävellys:
Arturo SandovalNäyttelijät:
Paul Walter Hauser, Sam Rockwell, Kathy Bates, Jon Hamm, Olivia Wilde, Nina Arianda, Ian Gomez, Dylan Kussman, Mike Pniewski, Niko Nicotera (lisää)Suoratoistopalvelut (4)
Juonikuvaukset(1)
Richard Jewell esitellään maailmalle ensin vartijana, joka ilmoittaa löytäneensä vuoden 1996 Atlantan pommi-iskun pommin. Ilmoitus tekee hänestä sankarin, jonka nopea toiminta pelastaa lukemattomia henkiä. Mutta muutamassa päivässä poliisiksi haluavasta tulee FBI:n ykkösepäilty, jota media ja kansa parjaa ja jonka elämää riepotellaan. Jewell kääntyy itsenäisen, järjestelmänvastaisen asianajajan, Watson Bryantin puoleen vakuuttaen vankasti syyttömyyttään. Mutta Bryant huomaa olevansa liian syvissä vesissä taistellessaan FBI:n, GBI:n ja APD:n yhdistyneitä voimia vastaan puhdistaakseen asiakkaansa maineen, samalla kun yrittää saada Richardia olemaan luottamatta ihmisiin, jotka yrittävät tuhota hänet. (SF Studios Fin.)
(lisää)Videot (2)
Arvostelut (9)
A confident Clint Eastwood serves up another compelling true story that is intense and suspenseful from start to finish, and Sam Rockwell has another perfect supporting role! (After Jojo Rabbit for the second time this year). Well acted, interestingly shot, emotional towards the end and overall a very entertaining piece of work where I kept my hands clenched for the entire running time. Praise should also be given to the nasty detective Jon Hamm, the bitchy reporter played by Olivia Wilde, and the unknown Paul Walter Hauser, who also gives a great performance. I hope it's not Eastwood’s last film. 8/10.
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Similar types like Richard Jewell can probably only be produced by the USA. The worst part of it all, however, is the fact that the American secret service theoretically endlessly supports those enthusiasts, conspiracy theory fans, and oddballs by how they behave in public. Then it's no wonder that the average American would rather believe what the government is hiding from them than what they officially present to them. Clint Eastwood has once again found a great topic here. Moreover, he filmed it so honestly that nothing can be denied to him. From the atmosphere beginning, through great acting performances to the end. Paul Walter Hauser, Sam Rockwell, Kathy Bates, Jon Hamm. They all shine here with amazing performances. I would say Olivia Wilde too, but unfortunately she hardly appears here to my regret. Richard Jewell is an honest piece of American filmmaking, that filmmaking that is seen less and less.
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Richard Jewell is perfectly executed moviemaking made under a steady hand, just as we like it from an eighty-nine-year-old Eastwood. The plot is unsurprising, in fact, you can predict at the beginning how it will necessarily turn out, but it's not about that at all; Clint Eastwood can tell a human story on the screen for more than two hours, and you just don't want to take your eyes off it. Richard Jewell is a dreaming dolt and makes some huge mistakes every so often but has his heart in the right place and will definitely win the hearts of the audience, too. Paul Walter Hauser as Richard Jewell and Sam Rockwell’s predatory lawyer make a captivating duo on screen.
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When I write that I find Clint Eastwood to be the most admirable filmmaker working today, you might think I'm mainly admiring the fact that he's still making movies on the cusp of 90. And he's doing it so well. That's certainly true, but I admire him even more for the subjects he chooses and how he handles them. Richard Jewell is another one of his "ordinary heroes" who lived through something that you wouldn't quite want to believe if it hadn't really happened. However, unlike Sully Sullenberger, who was "only" in danger of losing his career, Richard Jewell stands in front of the electric chair and, thanks to the fact that he is actually an overgrown child of principle and looks up to the law enforcement officials without bounds, slowly and willingly sits in that chair himself. The story is wonderfully scary. Without exception superbly acted (if I had to single anyone out, P. W. Hauser would be my favorite chameleon aside from Sam Rockwell) and most importantly so beautifully told, in a slow balladic manner with occasional light relief in the form of sensitive humor that both puts the viewer at ease and highlights the absurdity of the whole situation. Wonderful.
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Another finely tuned wow from Clint. This smooth-gliding story is further augmented by the acting performances. Powerhouse Sam Rockwell props up Houser in every scene they have together, making the times when Richard gets pissed even more impressive. Olivia Wilde, representing the media, could very easily have fallen into clichés, but in the end she actually rocks, and Hamm as an amoral FBI asshole is the embodiment of everything that you hate about the powers that be. In the end, this turns into an average guy vs. the government and the media battle, but it’s shot with such grace that I am giving it the fifth star. Movies where neither the government nor the media are right are always satisfying to watch. Especially these days.
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