Ohjaus:
Brie LarsonKäsikirjoitus:
Samantha McIntyreKuvaus:
Brett PawlakSävellys:
Alex GreenwaldNäyttelijät:
Brie Larson, Samuel L. Jackson, Joan Cusack, Bradley Whitford, Martha MacIsaac, Karan Soni, Hamish Linklater, Mamoudou Athie, Annaleigh Ashford (lisää)Suoratoistopalvelut (1)
Juonikuvaukset(1)
Kit (Larson) is a die-hard dreamer, an artist whose canvases are riddled with rainbows and glitter. Unfortunately, art school doesn't want her, and her New Age parents (Joan Cusack and Bradley Whitford) feel it's time she grew up. Kit gets a temp gig at an ad agency and it seems she's finally surrendered herself to inevitable adulthood. But then along come a series of mysterious invitations to a hidden store, where a cheerful salesman in a shiny pink suit (Samuel L. Jackson) offers her something she's spent her whole life waiting for: her very own unicorn. The one condition is that Kit must prove she's responsible enough to take care of her magical pet. With the help of a new friend, Virgil (Mamoudou Athie), Kit gets to work constructing a stable - but can this promise of a fabled creature really come true? (Toronto International Film Festival)
(lisää)Videot (1)
Arvostelut (3)
I liked the idea and the execution, but at the end I still couldn't shake the feeling that there was something missing from Unicorn Store, while on the other hand it had something it could have done without. And that what was left was "only" a slightly above average and unfortunately unnecessarily formulaic film.
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A peculiar statement by Brie Larson, who plays a not very nice role in a film that is not entirely entertaining. Films about artists are usually at least artistically interesting, but this one is ordinary, without any plot or entertainment value. It almost makes one want to say that it is completely superfluous.
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Unicorn Store is a series of tonally diverse scenes that have no solid core and negate each other. Although it is (another) film thematising the necessity of giving space to one’s childlike imagination, it is shot without a hint of imagination (for a comparison, see basically anything by Michel Gondry). The only change compared to a dozen other filmic celebrations of infantilism and people suffering from the Petr Pan complex consists in the fact that the main protagonist is not a man (although it easily could have been; the female protagonist’s femininity plays only a marginal role). As great as my weakness for Brie Larson is, Samantha McIntyre’s layered screenplay would need much more sure-handed directing to keep it from tragically falling apart. 30%
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