Kuvaus:
Newton Thomas SigelSävellys:
Henry JackmanNäyttelijät:
Tom Holland, Ciara Bravo, Jack Reynor, Michael Rispoli, Jeffrey Wahlberg, Forrest Goodluck, Michael Gandolfini, Suhail Aldabbach, Daniel R. Hill (lisää)Suoratoistopalvelut (1)
Juonikuvaukset(1)
Cherry (Tom Holland) drifts from college dropout to army medic in Iraq—anchored only by his one true love, Emily (Ciara Bravo). But after returning from the war with PTSD, his life spirals into drugs and crime as he struggles to find his place in the world. (Apple TV+)
Arvostelut (6)
Kids, drugs are bad, right?! This unnecessarily long teen drama tries to present worn-out motifs in a fresh way. For me, however, those motifs were often poorly chosen, irritating and generally inconsistent. Shabby directing of a run-of-the-mill subject that’s watchable thanks only to Tom Holland, who is again great.
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If they sped up all the slow-mo and did away with all those pointless formal gimmicks, this film would be less than 90 minutes long and maybe a bit more bearable. Maybe. I’d really love to know what the Russo brothers thought they were doing. Perhaps, after years lost in the Marvel Cinematic Universe, they wanted to prove they know everything and picked a premise that is part high-school romance at times, part war satire, part drug-addict drama, and part gangster flick with bank robberies, and they packed everything they could think of into it. There are many moments where that excessive formal indulgence feels unintentionally funny. And unfortunately, I didn’t even dig Tom Holland, whom I generally quite like.
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It's not as often as before when I used to discover cinematic gems at the video rental store, saw them for the first time, and realized what beautiful experiences Hollywood is preparing for me. Today, I live in a world where I mainly watch the latest releases, as I am quite familiar with the old classics from the 90s and 80s and it is much harder to find something that can impress me as a viewer. I would say that Hollywood manages to do it only a few times a year, and with the movie Cherry, they made their first mark this year. The Russo Brothers have moved away from the time when they made average comedies. The Marvel universe has taught them precision, originality, and certain directorial elements that set them apart from other directors, and they applied them to the drama Cherry, showing how skillful they are by today's directorial standards. Moreover, genres intertwine incredibly here. The film starts as a teen romance, continues as a war apocalypse with the best war atmosphere of recent years, followed by a drug drama, and ends as a gangster story about a bank robber. I haven't seen such a genre crossover in a long time, and in the two and a half hours, there was not a moment when I was bored. During the drug drama part, I fondly remembered Requiem for a Dream and thought to myself that I hadn't seen such a disgusting drug den in a film for a long time. Cherry is simply an experience, an experience from Hollywood that once again compelled me to watch every single shot and admire the splendid filmmaking. Plus, with Tom Holland, whom you would never recognize in this role. He's no longer that young Spider-Man, one of the biggest acting names in Hollywood today is being born here. Just when I thought I could keep my emotions in check and be tough, the final shot totally broke me.
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An unexpected gem that took my breath away! Cherry is heavy-handed, uncomfortable, disturbing, psychologically dense with some strong scenes, and definitely not for the faint of heart. Cherry is to the drama genre what The Human Centipede is to horror, and I have to applaud. You will be sick and nauseous, squirming like an earthworm, but fascinated, shocked, surprised and delighted at the same time. For a drama, it's definitely powerful! The Russo Brothers serve up a formally polished and dense story with Tom Holland at his best, reaching his own bottom and delivering the most impressive performance of his career. He may very well be at the top of his game amongst teenage actors at the moment. The film starts out as a very nice and easygoing romance that soon turns into a war hell in Iraq, where there were also intestines and burnt corpses, the training of the soldiers is one of the best I have ever seen in the war genre, and if I thought that this would be the highlight of the whole film, I was wrong, because right after that we watch the disintegration of human personality in the most horrible form. The film takes the best of Euphoria and Requiem for a Dream and I don't think I've ever seen a junkie's lair so authentically and uncomfortably portrayed – shit, vomit, syringes everywhere – followed by well shot bank robberies. I was already wondering that if in the last 20 minutes the film turned into a rape and revenge drama, it would be the top of the list and I'll be taken away. I haven't seen such a beautiful blending of genres so intense and powerful in a long time. I'm tempted to watch it again, I have to give it full marks. Nothing for the weak! 8.5/10.
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It's not going to receive top marks from me, but I must admit that the film surprised me in almost every way. Firstly, I didn’t know the Russo brothers would dive into three genres at once. The film is divided into metaphorical chapters, and personally, I see three main sections: a romance-infused drama, then a full-scale war scene, and finally wrapped up with an existential drama. And lo and behold, they managed to blend all these genres together in such a way that the result doesn’t feel like a hastily assembled patchwork. The first third was the weakest for me; it didn’t engage me much. But the following half-hour set in Iraq more than made up for it (the naturalistic portrayal of the horrors experienced was unforgettable, with one scene sticking in my memory for a long time). And the final hour, where the main character turns into a drug-addled wreck, was simply incredible; I haven’t had chills from just watching a film like that in a long time. Tom Holland’s performance has pushed him up a few more notches for me, as if last year’s The Devil All the Time wasn’t enough... again, he left me in awe. I also appreciate the powerful soundtrack by Henry Jackman, whose diverse tracks enhance those memorable scenes even further. It might be the surprise of the year. Overall, it deserves a solid 8/10. I definitely recommend it to everyone... It’s been a while since there’s been such a heavy film with a significant emotional impact on viewers.
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Cherry manages to evoke some pretty strong emotions occasionally, but it's crucial to point out that it does so entirely through audiovisual means. It’s problematic to form a close connection with any one character, the motivations are often straight out of a pulp novel, and there are simply too many styles for one film. Still, I can't say I was bored; if I wanted to single out anything in particular, it would definitely be the war passage, which is a model of craftsmanship in every respect. As a whole, it's unfortunately quite fragmented, and although Tom Holland is out for blood, for me he sometimes had trouble coming across as believable. In formal terms it's spectacular, but I can't shake the impression that it's really just kind of a theatrical waste of the Russo brothers' talents, and on material that would have been much better suited to a more intimate treatment. [60%]
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