Ohjaus:
Cedric Nicolas-TroyanKäsikirjoitus:
Umair AleemKuvaus:
Lyle VincentSävellys:
Nathan BarrNäyttelijät:
Mary Elizabeth Winstead, Woody Harrelson, Miku Patricia Martineau, Michiel Huisman, 浅野忠信, Miyavi, Jun Kunimura, Patrick Newall, Gemma Brooke Allen (lisää)Suoratoistopalvelut (1)
Juonikuvaukset(1)
Tokiossa työskentelevä armoton palkkamurhaaja huomaa viimeisellä keikallaan tulleensa myrkytetyksi. Nyt hänellä on alle vuorokausi aikaa löytää syyllinen ja kostaa. (Netflix)
Videot (2)
Arvostelut (10)
Gunpowder Milkshake kohtaa Crankin neonväreissä. Taas yksi netin tusinatoimintaleffoista, joissa sankarina naispalkkamurhaaja. Tarinan juju yllätyksetön, takaa-ajossa laiska toteutus, mutta muuten täyttää tarkoituksensa – aivojen nollaus perjantaina työpäivän jälkeen. Rytmiä ihan kivasti, ei paljon tyhjäkäyntiä ja M.E.Winstead tekee verilöylystä uskottavamman kuin Karen Gillan. Niin ja samuraitaistelu oli mahtava.
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The miracle workers of 87North Productions have brought out another wonder of the mid-budget action genre. They repeat the tried-and-true formula of building the entire film on the foundation of casting and placing the lead actors at the core of the action sequences. But it simply works splendidly again. The trademark of 87Eleven choreographers and stuntmen is to incorporate pain and fatigue into the choreography of action sequences, but here they multiply the wear and tear of the material seen in Atomic Blonde. Whereas Charlize Theron was still a perfect killing machine in that film despite all of the bruises, Mary Elizabeth Winstead was brilliantly cast as the assassin with a short half-life in Kate. Her character thus fittingly makes far more mistakes in the fight scenes, catching one blow for every second one that she delivers, but she pursues her target with ever greater lethality. Every bruise, open wound, black eye and trace of blood on her exterior becomes a unit on the barometer of her “I'm going to die anyway” attitude. The individual action sequences put all of this to good use, thus bringing about an original effectiveness. At the same time, they take the best and most stylish aspects from the tradition of the Thai and Japanese schools of action movies and set design and combine them with the playful formalism of the western tradition. This female version of Crank is essentially completed with visual stylisation, where cinematographer Lyle Vincent and director Cedric Nicolas-Troyan create a form that, in its climactic moments, gives the impression of anime drawn with digital neon (with certain passages evoking Redline and Ghost in the Shell). All of this together makes Kate not only a magnificently captivating and infectiously exciting action flick with a damn cool action heroine, but also one of the highlights of the action genre in recent years.
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Some like cupcakes, some like wild girls, but it's a fact that this one is too wild – headshots are not spared, nor are pierced eyeballs and larynxes. Again, it's probably just my problem, but somehow I don't give a shit about those skinny girls who have ten armed men for dinner, especially when they're in the last stages of being a Litvinenko in the ICU. Anyway, another template strong female checked off, Netflix at half throttle again. But I send Mary Elizabeth Winstead a kiss on the forehead, she's a cutie.
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I like action movies as much as horror movies, so I can forgive them a lot, Kate is a fine action female movie that definitely doesn't offend. Mary Elizabeth Winstead is poisoned and has a day to find her killer, and blood will flow through the streets of Tokyo. In terms of story, it's a straightforward revenge movie, which I personally don't mind, I just found the little kids who sidekick the main character a bit annoying, something that's been popping up in every other action movie lately. The heroine is badass and the role suited her (definitely more than Karen Gillan, for example) and the action is pretty good ( thankfully, they don’t spre blood and the fights are decent, though of course it can't be compared to Korea, John Wick or Indonesia, those are on another level). I also liked the neon Japan, the Yakuza and the solid pacing, which doesn’t leave room to be bored. I was little disappointed with the weaker finale, it definitely had more potential. Add more action and I'd be happier. Still, I had a good time, but bookworms who only care about the script will of course suffer. A tad better than the recent Sweet Girl. Story 3/5, Action 3/5, Humor 0/5, Violence 4/5, Fun 4/5 Music 3/5, Visuals 4/5, Atmosphere 3/5, Suspense 3/5, Emotion 2/5, Actors 3/5. 6.5/10.
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Kate is another entry in the line of feminist action flicks where the ends justify the means. Mary Elizabeth Winstead, who I usually like, isn’t exactly bringing the sex appeal here, but she’s definitely tearing through a stylish, chaotic ride. It starts off with the energy of a Robert Rodriguez film but eventually settles into classic B-movie territory. Still, the Japanese gangster vibe gives it just enough flair to make it worth a watch, landing it a solid three stars from me.
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