Ohjaus:
David R. EllisKuvaus:
Gary CapoSävellys:
Shirley WalkerNäyttelijät:
Ali Larter, A.J. Cook, James Kirk, Jonathan Cherry, Terrence 'T.C.' Carson, David Paetkau, Sarah Carter, Lynda Boyd, Justina Machado, Shaun Sipos (lisää)Suoratoistopalvelut (3)
Juonikuvaukset(1)
Kyse on totisesti elämästä ja kuolemasta kun kahdeksan muukalaista selviytyy täpärästi tuhoisasta ketjukolarista moottoritiellä. Vain nuoren tytön enne-näky pelastaa heidät karmealta lopulta. Nyt ryhmän on sekoitettava Kuoleman suunnitelma, mutta hinta on korkea... ja tuskallinen. Tiedossa on tappavan terävä hittileffan Final Destination –Viimeinen määränpää jatko-osa, joka tihkuu huikeita erikoistehosteita, todellista gore-taidetta ja sydämenpysäyttävää jännitystä kohtaus toisensa jälkeen. (SF Film Fin.)
(lisää)Arvostelut (4)
If I wrote with the first installment that the screenwriters are killing off their characters with morbid humor, I don't know what to write here because the various deaths have now reached more or less amusing extremes (see the cables that no one pulls out). However, the creators could at least try to modify the plot instead of transparently copying it. The first anniversary of the flight or rescuing passengers from a crash à la "I see a crash, so I'll step on the gas even more forcefully" doesn't really add to the experience. When clichés begin to sink deeper and all the dialogue about "Death collecting on its debts" seem very funny, your interest in the next installments wanes. The first one looks much better compared to its sequel.
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In comparison with the first Final Destination, the sequel has less atmosphere and a more overwrought and less clear plot. It is also more hectic, moodier, more laid-back and more popcorn-ish, with a slight helping of black humour and rather brutal gore. Plus the best scene of the whole trilogy – the opening pile-up car crash is brilliantly filmed!
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It’s just porridge. If you take away the well-directed and well-thought-out murders, all you're left with is a silly plot. Some of the murders are indeed exhibitionistic (I had to watch the log fly through the police car during the opening set-piece twice in a row, it's not something you see every day), but the fascination with death, even if perfectly staged, is otherwise completely beyond me.
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A recycled version of a good idea, but here it doesn’t work very well. The only positive things here are the original and absolutely freaky deaths. Okay, sometimes they are too excessively over-combined, but always really gory. Nothing else about Final Destination 2 is worth mentioning. Only perhaps the completely dumb screenplay, but that’s to be expected, isn’t it?
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