Ohjaus:
Steven SpielbergKäsikirjoitus:
Robert RodatKuvaus:
Janusz KaminskiSävellys:
John WilliamsNäyttelijät:
Tom Hanks, Edward Burns, Tom Sizemore, Jeremy Davies, Vin Diesel, Adam Goldberg, Barry Pepper, Giovanni Ribisi, Matt Damon, Dennis Farina, Ted Danson (lisää)Suoratoistopalvelut (5)
Juonikuvaukset(1)
Tom Hanks esittää pääosaa Steven Spielbergin viiden Oscarin suurelokuvassa. Tarina sijoittuu Normandian maihinnousuun kesäkuussa 1944. Kahdeksan miehen ryhmä on lähetetty pelastamaan vihollisen linjojen taakse jäänyt sotamies Ryan. Pääesikunta haluaa pelastaa Ryanin perheen ainoan sodasta elossa tähän asti selvinneen pojan hinnalla millä hyvänsä. (Nelonen Media)
(lisää)Arvostelut (12)
Mielestäni tämä on tietyssä mielessä käänteentekevä elokuva. Tuntuu nimittäin siltä, ettei mitään elokuvaa tätä ennen ollut kuvattu yhtä realistisesti. Se johtuu tietysti myös siitä, ettei aiemmin ollut tarpeeksi mahdollisuuksia tehosteiden luomiseen, mutta myös siitä, että aiemmin suurimmassa osassa sotaelokuvia (lukuun ottamatta paria poikkeusta, kuten Cross of Iron tai Battlefield) oli kyse siitä, että päästiin leikkimään sankareita. Minun täytyy antaa kiitosta hienoille tehosteille, mutta myös sille raakuudelle, jota en ole aiemmin minkään elokuvan kohdalla tuntenut, ja joka miltei komentaa ajattelemaan sitä, miten onnekkaita olemme me, jotka emme ole koskaan joutuneet sotaan.
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My friend told me that during the opening scene of the landing on Omaha Beach, she wanted to run out of the theater, but she was so hypnotized by what was happening on the screen that she stayed seated. This is a film purely for the big screen and good sound, where bullets fly around you and you feel that you are physically there with them, that you are part of the action. The first half hour has become legendary.
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The beginning is excellent, the rest is only high standard. The only thing that bothered me a little is that you can feel a bit too much that Spielberg is a proud American…
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Yes, I like war films. Yes, Spielberg's technical processing of the film seems to bring fiction as close as possible to the reality of war. Still, I consider this film to be only slightly above average, because it says nothing about the war as such. It's a nice recruitment drive on the subject of all of us in the army are friends and we love each other, which is nice, but it feels just like the colored drawings on the promotional posters from World War II. I don't believe even a syllable of the story, so the film only gets points with me for the fight sequences (which are truly riveting) and excellent acting performances. I prefer to overlook the agitation subtext...
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A film that will forever remain the film of THAT one scene of the Omaha Beach landing. It’s a shame, because the rest is also excellent.
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From the first to the last scene, amazingly conceived, every shot engrosses you, to the point where you feel that a bullet might fly towards you at any moment, and the impact is so significant that I can't get it out of my head for a few days after watching it. I only have a slight issue with how enormous and somewhat unnecessarily grandiose it is, that Steven Spielberg doesn't hold back on his desire for epic stories even a bit. But that would be complaining about something I usually praise. I do appreciate, though, how the director, who is often criticized for being family-oriented and kind, can brilliantly turn all these criticisms upside down.
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From a formal point of view, i.e., from the perspective of the film craft, there is not much to criticize about the film, almost nothing. It is an emotionally and extremely expensive blockbuster, which rightfully belongs in film history, especially with its opening 15-minute battle sequence. There could be endless things to say about Steven Spielberg's directing abilities, about how he can work with visual composition, build up a scene, and direct actors - and it would all be praise. However, what concerns me more is the formulaic script, the same problem I had with Spielberg's Schindler's List. When I compare this film to Klimov's drama Come and See, for example, I clearly feel Spielberg's superficiality. To label this film as just a popcorn flick would be grossly unfair, as there are incomparably worse films of its kind. It is undoubtedly an attempt at a serious war drama, but I fail to understand why Spielberg is not satisfied with real stories and real war history and feels the need to produce fiction. Sometimes the unnecessary pathos also bothered me, especially toward the end. Overall impression: 70%.
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It is certainly not a flawless film, but technically it is so brilliant that I’m happy to forgive all its shortcomings. Steven Spielberg shows us a real war like nobody has before. Tom Hanks is a genius, as well as Spielberg and Janusz Kaminski. For me, the best war film of all time.
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I'm neither a fan nor a great connoisseur of war movies, but show me one that is more emotionally packed than this Spielberg masterpiece. The opening with the Normandy landings will deservedly go down in film history as one of the most impressive scenes ever. The final battle is another perfect display of military strategy, and the film as a whole is a relentless exhibition of one of the greatest filmmakers of all time. Amazing atmosphere, amazing actors, brilliant camera work and harsh reality in every way. No one will ever make something like that again, I'll bet.
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I remember Irreversible, There Will Be Blood, The Revenant, Children of Men, and Se7en as films that moved me from needing to see a film in terms of its content to being a dusty formalist. This has now also turned me into a bitter poisonous old man swooning at digital semi-animated films with giant resolution and 60 frames, but I won't deny the occasional worry about whether I've just lost my sensitivity over time and simply become cynical. After the last screening of Private Ryan, I can be completely at ease because I didn't blink for 145 minutes (not counting the four terrible scenes that don't take place in Normandy). It's not just about the movement and composition of shots, but also about the material (Kaminski used a chemical to stretch the film windows to desaturate the colors by removing the silver fibers, a method made famous by Khondji in Se7en, by the way) or the acknowledgement and exploitation of technical limitations (fragmentation, the expansiveness of the light sources). All this in angles yet unseen, often giving the impression that the camera was there by mistake. After all, during the opening sequence, many of the actors and extras involved reportedly did not see the camera and crew at all through the smoke, explosions, and pervasive chaos. Not surprisingly, Private Ryan was at the birth of the perception of World War II and is behind the subsequent wave of films, TV shows, and computer games that have attempted to convey that chaos and destruction with a similar intensity to what was achieved here. PS: I recently saw a piece of this film on some modern TV at a friend's house, where the picture is edited to look like it was shot at a higher frame rate, and I nearly kicked the place apart. I'm kinda sad that a lot of people will only see the film in that format anymore.
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Steven Spielberg directed undoubtedly the most impressive film about World War II. The opening D-Day landing alone shocked me with its brutal depiction, clearly showcasing the horrific slaughter it was. Then we got to know the main combat group that guided the viewers through the film. The cast is top-notch, led by Tom Hanks’s outstanding performance as Captain John Miller. In supporting roles, others also impressed, especially Jeremy Davies (his final near-redemption for a critical mistake was flawless) and Barry Pepper. The journey of all these characters was filmed so authentically by the creators that I believed their struggles with all the obstacles thrown in their path without reservation, and I experienced their encounters with Nazi forces fully, with no shortage of emotions. Technically, I simply have no words. The harmony of every image with accompanying sounds and music is rarely seen... I understand the Oscars received for this. And of course, the battles, which I believe still hold the status of the most successful in the history of cinema in this genre. The ending is epic but not exaggerated, and it is emotionally powerful, squeezing every bit of emotion out of the viewer, you can believe that. My heart swelled at many of the amazing scenes presented by this film. Spielberg made a genuine treasure that should be protected by all available means. Truly a masterpiece. I give it 93%.
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I first saw the film over ten years ago. And I was thrilled. The second time I saw it was five years ago, and I was still thrilled. Today, on the third viewing, it was glaringly obvious how dumb the story is, and it's really just about having a touching finale so the old man can deliver his lines. It's pathetic how Spielberg preaches, but it's still a good movie. The landing is unbeatable.
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