Ohjaus:
Ruben ÖstlundKäsikirjoitus:
Ruben ÖstlundKuvaus:
Fredrik WenzelNäyttelijät:
Harris Dickinson, Charlbi Dean, Zlatko Burić, Woody Harrelson, Dolly De Leon, Vicki Berlin, Henrik Dorsin, Iris Berben, Jean-Christophe Folly (lisää)Suoratoistopalvelut (3)
Juonikuvaukset(1)
Mallit Carl ja Yaya navigoivat muodin maailmassa samalla, kun tutkivat suhteensa rajoja. Pariskunta kutsutaan superrikkaiden luksusristeilylle, jolle osallistuvat myös venäläinen oligarkki, brittiläinen asekauppias ja omaperäinen alkoholisoitunut Marx-lainauksia laukova kapteeni. Ensin kaikki vaikuttaa Instagrammattavalta. Mutta myrsky on nousemassa, ja valtaisa meripahoinvoinnin aalto iskee matkustajiin kapteenin järjestämän seitsemän ruokalajin illallisen aikana. Risteily päättyy katastrofiin. Carl ja Yaya löytävät itsensä autiolta saarelta miljardöörien sekä laivan siivoojan kanssa. Hierarkia on yhtäkkiä päälaellaan, kun siivooja on ainut, joka osaa kalastaa. (SF Studios Fin.)
(lisää)Videot (8)
Arvostelut (16)
Non-personal filmmaking by Ruben Östlund often opens up various, sometimes even the most intimate, questions of human existence. And he does so in a way that makes sense and forces the viewer to think. Not everyone can do that and it is no different in the case of The Triangle of Sadness. However, this one has the misfortune that the director goes beyond the acceptable limits and turns the subject into a bit of a farce in the last third of the movie. Up until then, it is absolutely luxurious targeting of the human class of world billionaires. A sharp, powerful, and damn funny satire. The discussions of Zlatko Burić and Woody Harrelson are absolutely epic, but at the same time quite scary. But only if you stop laughing and start thinking about those dialogues. So it's better not to do that and just enjoy.
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“The only place socialism works is hell – and they don't need it there.” Triangle of Sadness is a satirical ode to the inevitable inequality in society. Balance is utopia. In terms of entertainment value, this dinner tasting from The Square colossally developed into a concert of absurdity on a luxury yacht trumps anything we have seen in the comedy genre in recent years. And it’s not even a comedy genre film. I also enjoyed the hard shocks of the panning camera. When you have something to say, you can repeatedly remind yourself that form is only a means of saying it. Just as all of the whimsical glamour propriety of the passengers on this grand voyage is unnecessary... I’m not giving the film a fifth star because the last, “island” third of the film falls short of the “boat” part in terms of both humor and the effectiveness of capping off the scenes. But the ending is excellent!
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For me, on level with Parasite, and hands down the best film of this year’s KVIFF and quite likely one of the best films of the year. Sound social criticism with a stimulating, original script and wrapped in a very audience-friendly and entertaining package. Bursts of laughter assured, as well as amused disgust in the brilliantly staged captain's dinner scene, and a nicely ambiguous ending. (56th KVIFF)
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Ruben Östlund delivers a wry satire about contemporary society and people who are not prepared to lose their social status. But it is not intellectual onanism, it is an extremely entertaining and witty comedy that doesn’t take anything sacred, and apart from the great cast, original ideas and clever dialogues, it offers at least one scene that will go down in film history for its absurdity and escalation. One of the best films of the year.
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Östlund's sell-out with one luxurious fecal scene and a lot of populism that doesn’t offend anyone at all. In this respect, the Swedish merchant of cheap satire is the best in the world. As a filmmaker, however, he is obviously past his prime. Press play and summon Force Majeure.
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