Ohjaus:
Jens DahlKäsikirjoitus:
Sissel Dalsgaard ThomsenKuvaus:
Nicolai LokSävellys:
Peter KyedNäyttelijät:
Bengt C.W. Carlsson, Sara Hjort Ditlevsen, Anders Heinrichsen, Morten Holst, Peter Khouri, Signe Egholm Olsen, Eeva Putro, Eja Rhea Mathea Due (lisää)Suoratoistopalvelut (1)
Juonikuvaukset(1)
A renowned health supplement company, run by a ruthless businesswoman, is selecting and abducting young women as part of an experiment bio-hacking babies’ DNA to enable her clients to reverse the aging process. When young, goal-driven Mia sets out to investigate this shady business, she ends up getting trapped in the human farm’s perverse web. Familiar faces start to appear, and she realises that she is not alone in this. Can she somehow find inner strength and escape from the nightmare? (LevelK)
(lisää)Videot (1)
Arvostelut (2)
Decent Danish thriller with elements of exploitation! Merciless businesswomen kidnap young women for their bio-hacking experiment to suppress the aging process, and they carry it out in an underground medical facility where the women are kept in cages like animals. It’s shot very nicely, with decent performances (the protagonist is naturally incredibly attractive, so the viewer cheers for her a lot), and the tension works as well. Breeder picks up nicely in the last half hour, though it's disappointing that gore was relatively spared. It rather plays on a psychological string, but that's how Martyrs was as well. I slightly overrate it, since nothing has come out from my favorite subgenre for a long time, and Breeder is definitely decent. Story***, Action***, Humor>No, Violence***, Entertainment****, Music***, Visuals****, Atmosphere****, Tension****. 7/10.
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In terms of subject matter, Breeder is a more ambitious and more sophisticated Hostel, but it’s not much more intelligent. This is surprising for the Danes, particularly when they attempt a dramatic thriller with a study of the relationship between the central couple, where she has masochistic needs and has no idea where his secret business will take her. Unfortunately, the motif involving the confrontation of sexual desires with harsh reality is not fully formed. However, less discerning lovers of the cinematic suffering of helpless female characters will find what they’re looking for, as the film treads on the edge of mainstream conventions. Just don’t expect the main female villain’s biological research to be explained in any reasonable way, because it won’t be.
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